This exhibition brings together works from the permanent collection highlighting the full spectrum of printmaking techniques, including intaglio, relief, lithography, and serigraphy. Spanning centuries of innovation, the selection emphasizes both the art historical significance of these prints and the processes that shaped them. From the precision of engraved lines to the boldness of carved blocks and the vibrant layers of screen printing, the works demonstrate the enduring dialogue between technical mastery and artistic vision.

[ABOVE] Dale C. Bradley, Wood Duck (2/5) Artist Proof, 1980, etching

Stow Wengenroth, House at Port Clyde, 1938, lithograph

Morris Graves, Wounded Gull, 1950, lithograph

Nicholas Wilson, Elements of the Chase, 1980, zinc etching

Paul Guiramand, The Birds (AP) Les Oiseaux, 1968, color lithography

John Steuart Curry, Stallion and Jack Fighting (ed. 250), 1943, lithograph

Sherrie York, Interlace (5/20), undated, linocut