Birds in Art 2019

September 7 through December 1, 2019

Imaginations take flight, inspired by new breathtaking depictions of birds by some of the world’s most talented artists who push themselves to new heights, striving to be selected for the internationally renowned Birds in Art exhibition. Majestic yet fragile, amusing, and poignant, birds connect us with the natural world, heralding each dawn and signaling environmental shifts. Savor artistic interpretations and discover anew what inspires you. The 44th annual exhibition features avian wonders through all-new interpretations in original paintings, sculptures, and graphics created within the last three years. Birds in Art opening weekend festivities are part of Wausau’s Artrageous Weekend.

Since 1976, the Leigh Yawkey Woodson Art Museum has organized Birds in Art annually, seeking to present the best contemporary artistic interpretations of birds and related subject matter. Two- and three-dimensional artworks in all media other than crafts and photography are eligible. Approximately 100 works are selected by a three-person jury; see the Birds in Art Prospectus for details. Artwork for the annual Birds in Art exhibition is selected in May and opens to the public on the first Saturday following Labor Day. See this list of 2019 Birds in Art artists’ names whose work will be included in the 2019 exhibition.

The Leigh Yawkey Woodson Art Museum’s 2019 Master Artist is British colored-pencil artist Alan Woollett, who will be honored during the Museum’s 44th annual Birds in Art exhibition this fall.

Woollett, the Woodson Art Museum’s 38th Master Artist, will discuss his career and artwork during his Master Artist presentation on Birds in Art opening day, Saturday, September 7, in the Museum’s sculpture garden, 9:30-10:30 a.m.

In announcing the 2019 Master Wildlife Artist, director Kathy Kelsey Foley said, “Alan’s mastery of the colored-pencil medium expands the high standards that define the Museum’s Master Artists. His artwork is distinct and distinctly his own. Alan brings new perspectives to the pantheon of Woodson Art Museum Masters.”

“My work has evolved over the years and I’m passionate about conveying the beauty of birds and the complexities and simplicity of these amazing creatures,” Woollett said. “Seeing my work in the Birds in Art exhibition alongside that of so many great artists never ceases to make me smile. It is really such an honor.”

Woollett’s artwork, whether deftly drawn in graphite or colored pencil, is characterized by eye-catching and memorable compositions featuring birds in striking poses. His exquisitely detailed and elegantly sophisticated avian-themed artwork – conveying birds’ delicacy and poise – conveys the joys of observing, drawing, and appreciating nature.

During his career, as Woollett’s choice of mediums gradually transitioned from graphite and watercolor to colored pencil, he strove to create artwork that would be selected for the Birds in Art exhibition. Determined to work harder each year to refine all aspects of his work, Woollett submitted artwork for the annual exhibition five times before he was successful in 2011 with a graphite work. “My first acceptance to Birds in Art was an incredible feeling; one I shall never forget,” Woollett said. Traveling from England to Wausau, his experiences during the opening festivities provided inspiration and fueled his motivation to improve. “When I initially scanned the galleries,” he said. “I knew I’d have to step it up even more, if I hoped to return.” Selected for inclusion in Birds in Art seven times, Woollett made the journey from England to attend the exhibition opening again in 2012 and 2015.

“I’m still taking in the fact that my work is deemed worthy of being exhibited alongside that of such esteemed and talented artists,” Woollett said of the Woodson Art Museum’s Birds in Art artists and previously named Master Artists. “It’s such a huge honor and one that has me still pinching myself most mornings when I sit to draw in my humble little studio.” A selection of Alan Woollett artworks will comprise his 2019 Birds in Art Master Artist grouping.

Born in 1964 in Chatham, Kent, England, Woollett’s interest in birds was sparked during winter backyard birdwatching as a young boy. His childhood drawing pursuits and an I-Spy Birds book given to him by his mother ingrained an interest that was to lie dormant until many years later. After high school and training to become a carpenter, Woollett shifted course and began studying graphic design at the Kent Institute of Art and Design, now called the University for the Creative Arts. His two years as a student there “reignited my passion for art, drawing, and the natural world,” and in 1993 he received an OND, Ordinary National Diploma, in graphic design and illustration. After college, Woollett refined his skills drawing with graphite “whilst seriously harboring a desire to paint these subjects in watercolor,” he said. A local naturalist and illustrator taught him how to use a paintbrush, and he focused on honing his painting skills during the next few years as a stay-at-home parent of his two children.

Gradually, he transitioned to working in colored pencil, after initially using them to add fine details to his paintings and then using them more extensively to complete his drawings. “I had always felt much more comfortable with a pencil in hand than a paintbrush,” he said.

Alan Woollett, Northern Mockingbird, 2012, colored pencil on Fabriano Artistico paper, collection of the Woodson Art Museum

Woollett’s first colored-pencil work to be exhibited in Birds in Art, Northern Mockingbird, was acquired by the Woodson Art Museum in 2013, which he described as “a great feeling and an honor.” The striking, abstract patterns of the paint cans in this artwork and its unexpected perspective – the view from above the bird perched atop a lid – convey what sparked Woollett’s interest and served as a catalyst for the work. Although the gray bird flitting among the rusted paint cans initially caught his eye during a Sunday afternoon walk near an abandoned-building lot, “the colors, shapes, and shadows had me hooked. I just had to draw it,” he said. “Inspiration often comes from unusual sources.”

For additional details, see the 2019 Master Artist press release. Follow us on Facebook, Twitter, and Instagram.

Birds in Art Opening Day –  Saturday, September 7, 2019

Meet the Artists    9 am – Noon
More than sixty worldwide artists converge for Birds in Art opening festivities. Visitors mingle and renew artist acquaintances, form new friendships, and get catalogues and posters signed. Coffee is available at the arbor, along with treats to purchase. Plan to make Birds in Art your first stop of Wausau’s Artrageous Weekend.

Master Artist Talk    9:30 – 10:30 am
The Museum’s 38th Master Artist will provide insights into the artist’s inspiration and process during this presentation.

Birds in Art is an international juried exhibition organized annually by the Woodson Art Museum.

Robin Berry, Common Firecrest, 2018, watercolor on Arches cold press paper
Michael Dickter, Learn from the Sky, 2019, oil and graphite on panel
Ray Brown, Mourning Song, 2018, charcoal on Fabriano paper
Lars Jonsson, The Vole Hunter, 2018, watercolor on Arches paper
Parker McDonald, Take Note II, 2019, welded bronze on flute
Kerry Miller, Audubon’s Birds of North America, 2019, vintage book and acrylic
Sherrie York, Four on the Fence, 2019, linocut on Rives BFK paper

Thanks to the members, donors, grantors, and sponsors who supported Birds in Art 2018 exhibition and programs.

 

 

Support for Birds in Art 2018 came from Aspirus, Inc. and Aspirus Arise. Additional exhibition and educational support came from Jim and Sue Konkel, and additional educational support came from Gary and Amy Sweet. Birds in Art 2018 media support came from Wisconsin Public Radio. Marketing supported in part by City of Wausau Room Tax funds.

Exhibitions and programs were supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. Support for the Jane Kim mural project came from the Community Arts Grant Program of the Community Foundation of North Central Wisconsin, with funds provided by the Wisconsin Arts Board, a state agency; the Community Foundation; and the B. A. & Esther Greenheck Foundation. A grant from the B. A. & Esther Greenheck Foundation supported the Kris Parins and Josh Guge artists residencies.

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